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ambassador-of-anguish:

shouldertappingghosts:

If I was a famous author I would publish a book with ten different endings which all went to print with varying degrees of rarity, but not tell the fans about it so that I could watch their confusion as they disagree over how the story ended. Then when they figured it out I would ‘come clean’, telling them that I had released eleven alternate endings and watch them panic again as they all try to find the last ending.

This is perfect.

(via fuckyeahauthordog)

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(Source: birdnesthair)

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(Source: lifeofazombiee)

(via amandaonwriting)

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"I adore the way fan fiction writers engage with and critique source texts, by manipulating them and breaking their rules. Some of it is straight-up homage, but a lot of [fan fiction] is really aggressive towards the source text. One tends to think of it as written by total fanboys and fangirls as a kind of worshipful act, but a lot of times you’ll read these stories and it’ll be like ‘What if Star Trek had an openly gay character on the bridge?’ And of course the point is that they don’t, and they wouldn’t, because they don’t have the balls, or they are beholden to their advertisers, or whatever. There’s a powerful critique, almost punk-like anger, being expressed there—which I find fascinating and interesting and cool."

(Source: wovenwithin)

(Source: blackberrystoned)

(Source: petit-poids)

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notablyindigo:

I live in constant fear of my characters becoming accidental self-inserts.

(via thatawkwardwritingmoment)

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wogoat:

It’s always painful to realize that the character I’m most excited to write has no place in the story and is actively holding it back.